My knees may have hurt after hours kneeling in the grass at the easel, due to the viewing angle, which I chose.
The wind may have been blowing from the water, and it might have been quite cold.
The families, who explained to their children what the weirdo was doing there, may have been slightly distracting. But all this didn't seem to exist the moment my mum brought me some fresh mint tea. And also perhaps I was too busy with the painting to notice these trifles. Hehe...
What was revolutionary for my art is that red line lining the white heads of daffodils. In my subsequent paintings, I often continue to apply similar lines for their calming effect on paintings.
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Red, White Above and Under the Water
2022
20 × 25 cm
Whirligigs
2022
30 × 35 cm
Locks Above Water
2022
40 × 35 cm
Slzy deště
2024
95 × 75 cm
Pine Knot
2022
50 × 30 cm
Představy
2024
55 × 65 cm
Mřížka II
2025
159 × 44 cm
Autumn Grass
2022
75 × 55 cm
Foggy Vltava
2022
30 × 45 cm
Light Way
2022
20 × 29 cm
Břízy
2026
70 × 80 cm
Dopis II
2026
150 × 200 cm
Tree of the Wind and the Rain
2022
40 × 40 cm
Bluetiful but War
2022
35 × 30 cm
Síťka
2025
55 × 65 cm
Bloody Golden Icicles
2021
18 × 24 cm
Snow Roots
2023
80 × 80 cm
Přelud
2024
180 × 75 cm
Boats in the Rise
2022
30 × 30 cm
Vápno
2026
190 × 75 cm
Západ v kruzích
2020
10 × 21 cm
"Lost In Ellipses"
2022
12 × 18 cm
Zasklené II
2025
70 × 85 cm
Vlnění
2024
55 × 60 cm
Světlo baterky
2024
46 × 46 cm
Trees of the Sun
2022
45 × 50 cm
Abstract Forest III
2020
40 × 45 cm
"By the Fisherman"
2022
30 × 30 cm